Jamaica Fiwi Roots


Jamaican Revivalism: Spirit, Syncretism, and Survival

part 1

This article is part of a 4-part series on Revivalism in Jamaica
Part 1: Revivalism in JamaicaPart 2: The Two OrdersPart 3: CulturePart 4: Insights


Introduction

Jamaica’s Revivalism is a vibrant folk faith that emerged from the fires of freedom and cultural fusion. Following the end of slavery, African spiritual traditions blended with Christian evangelical fervor to create a religion that is both mystical and resilient. Its ceremonies pulse with drumbeats, visions, angels, and ancestors, offering solace and strength to generations of Jamaicans, especially those on society’s margins. This exploration traces the origins and historical context of Revivalism, examines its beliefs and ritual practices, considers its branches of Zion and Pocomania, compares it with related traditions such as Obeah, Myal, and Kumina, and reflects on its cultural significance and enduring legacy through scholarly and oral insights. Together, these elements reveal a story of cultural survival and sacred resistance, as Revivalism remains a living testament to Jamaica’s Afro-Christian heritage.

Origins and Historical Context

Jamaican Revivalism arose in the mid-19th century, in the aftermath of Emancipation in 1838, when formerly enslaved Africans sought spiritual empowerment beyond the confines of missionary churches. The Great Revival of 1860–61 was a pivotal wave of Christian evangelical fervor that swept the island, igniting an explosion of emotional religious activity among the masses. While European missionaries and Baptist preachers helped fan these flames, African Jamaicans transformed the movement into their own expression of faith. Revivalism became a syncretic blend of African spirituality and European religiosity, merging biblical Christianity with African-derived beliefs.

During this period, numerous independent “churches” emerged across Jamaica, often led by charismatic Black preachers who had little formal training but wielded immense spiritual authority. These grassroots leaders infused the austere gospel message with African rhythms, symbols, and ecstatic worship practices, creating a new faith that resonated deeply with the hopes of the recently freed.

Revivalism’s roots extend further back into the island’s slave era through the tradition of Myal—a spiritual practice focused on healing and spirit possession, originally developed to counteract the feared sorcery of Obeah. Though forbidden under slavery, Myal ceremonies persisted underground and resurfaced with renewed vigor after Emancipation. Myalism reached its height just before the Great Revival of 1860–61 and was eventually absorbed into what became Revivalism. Many early Revivalists were former Myal practitioners who embraced Christian elements; their meetings combined Bible hymns with African drumming and trance, continuing Myal’s mission of combating evil and healing the community.

Thus, Revivalism was born from a creole faith—a fusion of Native Baptist Christianity with retained African spiritism. By 1861, this movement had coalesced into a distinct folk religion, independent of missionary churches but drawing on their teachings. Within this fertile blending of traditions, Revivalism took shape as a home-grown faith for a new era of freedom.

Beliefs and Ritual Practices

At Revival meetings, ritual “tables” are laid out with candles, water-filled basins, fruits, and herbs—sacred elements believed to channel spiritual power. Revivalists hold a richly spiritual worldview, envisioning active interaction between the human and spirit realms. Revivalism is emphatically a Holy Ghost religion; worshippers seek to be “filled” with the Holy Spirit and other divine forces in ecstatic trance. They recognize one supreme God, whose power is mediated through a pantheon of spiritual entities including angels, archangels, biblical prophets, apostles, and the hovering souls of departed elders. These spirits are believed to intermingle freely with worshippers during services, offering guidance, healing, and protection.

Each Revival believer may have a personal guardian spirit—often an ancestral spirit or deceased Revival leader—who “walks” with them and to whom they offer care or ritual “feeding” in exchange for blessings. This intimate alliance between the living and the unseen permeates every aspect of Revival worship.

A typical service, often held at night in a simple “balm yard” or humble chapel, begins with Bible readings and hymns from standard Christian songbooks. Soon, the atmosphere shifts to a more African mode. Drums begin to beat in two-time: a deep bass drum and a sharper kettle drum, accompanied by hand claps, rattling tambourines or cymbals, and call-and-response choruses.

The hymns give way to Revival choruses—repetitive, rhythmic songs sometimes using “nonsense” syllables or African-language words—that build collective energy. Worshippers stomp their feet and engage in a circular “trumping” or “trotting” dance around the central altar table, moving counter-clockwise in single file. Their breathing becomes heavy and rhythmic—a practice called “laboring” or “groaning”—inviting the Spirit’s descent.

As the drums intensify and the room fills with sung prayer, many congregants enter trance states. They may tremble, spin wildly, or collapse as a spirit “possesses” them. Being “filled” by the Spirit can be dramatic: worshippers sometimes cry out in unknown tongues, whirl like windmills, or roll on the floor in trance-like states. To believers, these are sacred moments of communion when the Holy Ghost or a heavenly messenger speaks through the entranced individual.

Central to Revival rituals is the Revival Table—an altar usually covered with a white cloth symbolizing purity and laden with consecrated items. Typically, it holds lit candles, glasses or basins of water, tropical fruits such as oranges and grapefruits, branches of green leaves, and sometimes a Bible or cross. Each item carries symbolic meaning: water represents life and spirit energy, while fruits and bread serve as offerings to “feed” visiting spirits.

Some Revival yards also erect a center pole near the table, hung with bits of cloth or other tokens. Traditionally, this pole forms a cosmic axis connecting heaven and earth, through which spirits travel into the worship space. Observers have described poles topped with bottles of water and sprigs of bush, with consecrated circles marked on the ground below to focus spiritual presence.

As Revivalists dance, they often carry lighted candles or vials of blessing oil and use symbolic gestures such as making the sign of the cross or sprinkling rum or water. Spirit possession is ritually managed: leaders may call on specific spirits by name—such as Archangel Michael or the prophet Elijah—through prayers and songs. When the spirit “arrives,” the possessed person may deliver a prophecy or “warning” to the congregation, offering counsel or foretelling events from the supernatural realm.

Healing is a core practice. Revival “Mothers” and “Captains” (leaders) often prepare herbal remedies and perform laying-on of hands on the sick, guided by spirits in diagnosing and curing ailments. Every element of the service—from drum rhythms to candles and spontaneous songs—is meant to “open the gate” between worlds and invite the Holy Spirit’s transformative power. In these charged gatherings, Revivalists reaffirm a cosmology where God and ancestors dance among the people, reminding even the poorest Jamaican that the divine is near.

Next

Having explored the foundations of Revivalism, let’s now delve into Part 2, its distinctive expressions through the Two Orders: Zion and Pocomania.


Jamaican Revivalism: Spirit, Syncretism, and Survival – 4 -Part Series:
Part 1: Revivalism in JamaicaPart 2: The Two OrdersPart 3: CulturePart 4: Insights


 

References

Chevannes, B. (1994). Rastafari: Roots and ideology. Syracuse University Press.
Revivalism: Representing an Afro-Jamaican identity. Maria A. Robinson-Smith Creole religions of the Caribbean: An introduction from vodou and santería to obeah and espiritismo. New York University Press. Fernández Olmos,, & Paravisini-Gebert, (2011).
Revivalism: A misunderstood folk religion. Jamaica Gleaner.
Jamaica Observer. . Edward Seaga’s legacy and Revivalism. Jamaica Observer.
Revivalism: From hidden worship to national celebration, Jamaica Observer
Watt Town Revival Pilgrimage added to UNESCO list. Jamaica Observer
Minister Grange hands over UNESCO certificate to revivalists
Obeah, Christ and Rastaman: Jamaica and its religion. University of the West Indies Press. Ivor Morrish
.
Religious cults of the Caribbean: Trinidad, Jamaica, and Haiti, George Eaton Simpson, University of the West Indies Press.
Three eyes for the journey: African dimensions of the Jamaican religious experience. Dianne M. Stewart.
African Continuities in the Rastafari Belief System, M Warner-Lewis
Secondary and Contextual Sources
Betwixt and between: Explorations in an African-Caribbean mindscape. Barry Chevannes, University of the West Indies Press.
Institutional and Archival Sources
Oral history archives and intangible heritage materials. Institute of Jamaica.
Cultural preservation and Revival arts promotion. Kingston, Jamaica. Jamaica Cultural Development Commission.
Holdings on African-derived Jamaican religions. Kingston, Jamaica. National Library of Jamaica.
Smithsonian Folkways Recordings. Jamaican cult music [Audio recordings]. Smithsonian Institution.
International Recognition
United Nations Educational, Scientific and Cultural Organization. (2024). Watt Town Revival Pilgrimage [Intangible cultural heritage listing]. https://ich.unesco.org/en/RL/watt-town-revival-pilgrimage-01994